Man! I missed out of the Rush Geek Week. I didn't see John-O's blog post on it and I was unaware that the Prime Mover blog even existed. But with the "better late than never attitude" (which, now that I think of it, really doesn't apply to pulling out) I put on the thinking cap and came up with my top 8 Rush albums. Just eight cuz it was too hard to decide after that! But first...
A little history on me and Rush. Since, you know, it's my blog and all...
May of 1990... Lawrence Central High School. I attended the Senior party at the school because my friend Sean Strong was going. It was winding down and someone came and grabbed me and said I'd won a prize. I don't even think I knew there WERE prizes!
But my prize was two tickets to see some band called "Rush". Rush? What the hell is THAT? Keep in mind I was getting my musical cues almost exclusively from MTV at this point: Poison, Ratt, Whitesnake, Ozzy, Twisted Sister... you get the idea. Hair Metal Bands for the most part. Except for Iron Maiden, which almost never got airplay.
But I took the tickets and asked Sean if he wanted to go. He said yes. But I still had no idea who they were.
We went. It was... weird. I didn't know a single song. I remember seeing Trees on the video screens. I remember a laser show. And I remember the inflatable bunnies. But not much else. Again, I thought it was very weird.
I think Mr. Big opened for them but I didn't dig them either at the time.
So Rush went into the "whatever" file.
A few years later, I kept hearing certain Rush songs on the radio and digging them. I am pretty sure it was
Dreamline that inspired me to buy the
Chronicles collection. Again, I thought it was very weird stuff, but this time it intrigued me for some reason. I started to really get into it, especially the drumming.
Neil's drum parts actually inspired me to start taking drum lessons, leading to me spending way too much money on drums. My current main kit is a Cherry Wine Tama Superstar birch kit. I actually didn't know that the Superstar line of drums was Neil's choice of kit back in the early 80's until well after I started buying the pieces on Ebay. Nice coincidence!
Then
Counterparts was released in late 1993. I liked it okay, but didn't listen to it much. The one night Jason and I were hanging the Christmas garland in the living room. And we put it in. And I GOT it. I think the
exact moment was the drum break late in the song
Leave That Thing Alone.
I've been addicted ever since.
I took Jason to see them in early 1994. I saw them in 96 and then three times on the
Vapor Trails tour (2nd row under Geddy in Cincinnati with Jason!), then on the
R30 tour. (I'm trying to block out more recent Rush memories...)
Anyway, on with the show! My RUSH top eight:
# 8 -
Roll The Bones - The first five songs are homeruns in my book. I love
Where's My Thing especially. This was the return of the Rush instrumental, their last before this one was YYZ! That or
Bravado are my favorite song.
Not as polished and treble-y as Presto, I love the production on this one. Lots of snap to Neil's snare. Probably my favorite sound of any of their CDs.
# 7 -
Moving Pictures - Right off: THE Rush song as the opener. I'll hear no argument otherwise. Rush opening with it on the Vapor Trails tour was AWESOME! Totally unexpected.
Most of the first four songs (
Tom Sawyer, Red Barchetta, YYZ and
Limelight) are all very likely to be in the top ten of any Rush fan. Lush lyrical descriptions on
Red Barchetta, The Camera eye and Witch Hunt. The only "off" song it the closer
Vital Signs. Very Police-ish but Rush puts a neat spin on it.
# 6 -
Power Windows - Funny aside, this was the last Rush CD to fill my collection when I was on
the mission to buy all their stuff. I heard
Territories on the Counterparts tour and didn't know what song it was. I kept buying their CDs and getting mad that THAT SONG WASN'T ON IT! So of course it had to be on the LAST one I bought.
Big Money is a great opener. Tons of energy. One of those Rush songs that just encompasses everything awesome about the band.
Marathon is another great Neil Peart lyrical playground. The music and lyrics marry up just perfectly. I don't know any other band that constantly paints such lush descriptions with their lyrics and then nails the perfectly complimentary vocal part.
Grand Designs is one of those songs I really love than you never hear fans talk about. The same with
Emotion Detector. And a GREAT closer,
Mystic Rhythms.
Not a bad song on this one.
# 5 -
Presto - Very treble-y production, but I actually love that. Not as pretty as Test For Echo, but very good arrangements and production. Lots of balls in certain spots (
Show Don't Tell, Scars). The closer,
Available Light, is my favorite song overall.
Anagram is a great fun song lyrically.
The Pass and
Presto have great sadness in the vocal performances.
Scars smacks of desperation to my ears. The lyrics and vocals are amazing on this one. Maybe more than any other Rush outing.
# 4 -
Counterparts - My sentimental favorite and the first Rush CD I really got into. The first three are killer songs, esp.
Cut To The Chase. I also love
Double Agent, Cold Fire and
Everyday Glory. And, of course, the instrumental
Leave That Thing Alone.
# 3 -
Test For Echo - This is Rush's prettiest CD. And I don't mean that in any feminine or wimpish way. It has a lightness and fine polish to it. There are songs with tons o' balls (
Driven, Time and Motion) and a great instrumental (
Limbo). And maybe some of Rush's most singalong-able lyrics ever. But overall there is just something... airy about the overall feel of this one that I love. I'm not conveying my point well... maybe an artistry? Who knows. It's just a great CD.
# 2 -
Permanent Waves - The opening three songs (
The Spirit of Radio, Freewill and
Jacob's Ladder) would put this one high on my list, but the closer
Natural Science is the best song on the CD, a whirlwind of musical badassedness.
# 1 -
Vapor Trails - (should have been named "Vapour Trails" if you ask me... no one did)
Great songs. Total BALLS! Heavy tones, heavy chunkin' rhythms, heavy lyrics. The intro song is just a musical kick to the crotch. I don't like the heavily amplified production / mastering on this one though. It distorts the louder notes and totally screws the overall sound. (Interesting analysis on that
HERE.)
But the songwriting and sheer attitude of this one outweigh any deficits by far. It was an amazing way for the band to come back from a long absence and say "Check us out. We're not done. Not even close."
Of course, then comes
Snakes & Arrows...
Labels: drums, music, Rush